Prices are in Euros.

Benediktbeuren. Panorama des Bayer. Hochgebirges. Original Aufnahms Scizze. Benediktbeuren, 19th century. Fine original drawing in pencil and watercolours, showing the mountains of Benediktbeuren in Bavaria, with number N 1 in the sky. c. 20 x 27,4 cm. (# 5810)

As described in our Catalogue 184, Bayerische Ansichten, Karten, Pläne und Flugblätter (München, 1935). - Fold in left lower corner, right margin strengthened.

Bieberkraut, James (Leipzig 1879-unknown). Im Stall (In the cow-house). Fine etching of two cows lying on the floor of a cow-house, underneath 2 small etched chickens; signed in pencil J. Bieberkraut. 23,4 x 29 cm. (# 5838)

James Bieberkraut, was a German Jewish painter and etcher. According to Münchner Maler V, 84: Bieberkraut descended from a Jewish family, which immigrated very probably from Palestine to Germany; thus Bieberkraut had still the Turkish nationality when he moved from Berlin to München in 1898. He lived and worked in München until his announced departure to Palestine on 20-4-1934. See on Bieberkraut also: Vollmer I, 207; and: Schaalman, James Bieberkraut der Maler und Radierer (in Bayerische Israelitische Gemeindezeitung, 1927, Heft 2, 32-35 (on internet). - Fine impression with ample margins.

Bier Zeitung 12. October 1874. 1874. Nice humoristic drawing in pen and black ink on paper, showing a procession of men with a large coffee-kettle, some men holding a coffee cup, one with a coffeemill; in front to the left a man kneading dough for Brezel's, to the right three men playing at dice, one smoking, to the right a standing men with a glass of beer; 3 dogs, 2 devouring a cat. ca. 21,7 x 27,7 cm. (# 5805)

Probably designed for a Munich (Münchner) periodical on beer. - Pasted on cardboard, lightly browned, 2 white stains in blank margin.

Bräutigam, Johann Jakob (1790-1868). Das Kind mit der Milch und der Schlange. (Sage). München, c. 1840. Etching on chine-collé, showing a child with a bowl of milk, sitting in a corn-field, the child raises a spoon, while a snake is drinking the milk, with etched title underneath and signed in the plate: Braütigam fecit. c. 12,5 x 10 cm. (# 5820)

Maillinger, Bilder-Chronik... München, II No. 2398. Lentner No. 12101. Johann Jakob Bräutigam was "Obermaler der kgl. Bayer. Porzellanmanufaktur". According to the ancient children's fairy tale, written down by the brothers Grimm: a snake drank the milk daily, one day the child took its little spoon and struck the snake gently on its head and said: eat the bread crumbs as well. - With blind stamp (not in Lugt), well preserved.

Brennhäuser, A.W. (Nürnberg 1819-München 1865). Die Brautfahrt; after Johann Heinrich Ramberg (Hannover 1763-1840). (Leipzig, Dresden, A.H. Payne, c. 1850). Charming steelengraving, by Andreas Wolfgang Brennhäuser after Johann Heinrich Ramberg, showing three young peasant women from Dachau, Bavaria, on a bridal journey, dressed in traditional Dachau costumes "Trachten" in front of a corn-field, in the back-ground the silhouette of München. 18,1 x 21,5 cm. (# 5809)

In Datenbank Deutsches Historisches Museum Berlin. - Thread margins, slightly foxed.

Flachenecker, Wolfgang (Zirndorf 1792-after 1847). Albert III Herzog in Baiern verweigert die Annahme der Böhmischen Krone im Jahr 1440. München, J.G. Zeller, (1821). Very large chalk lithograph with a pale yellow plate tone: Duke Albert III of Bavaria refuses in 1440 the offered Bohemian crown. Lettered below "Gemalt und auf Stein gezeichnet von W. Flachenecker" and with title (see above). 43 x 33 cm. (# 5900)

Winkler No. 214,3. Dussler 44. Incunable of lithography. "Er sitzt links unter einem Baldachin, flankiert von zwei Räten, vor ihm vier Abgesandte aus Böhmen, der vorderste mit der Krone auf einem Kissen." (Winkler). The German lithographer and painter Wolfgang Flachenecker, was born in Zirndorf near Nürnberg, worked in München, Denmark (where he is known as Flachner), Wien and Rome. - Ample margins.

Halm, Peter (Mainz 1854-München 1923). München. Nymphenburger Kanal, im Hintergrund das Nymphenburger Schloss. München, c. 1900. Nice etching: view of the Nymphenburg canal with a bridge, on both sides big trees, in the background Nymphenburg palace, signed in the plate "P. Halm". 25,7 x 34,2 cm (plate mark). (# 5842)

Peter Halm studied and was professor at the Akademie der Bildenden Künste in München. He etched most of his plates directly from nature. See on him Thieme-Becker XV, 526-527; Vollmer VI, 14. Nymphenburg palace in München was the main summer residence of the rulers of Bavaria/Bayern; its large park is bisected by a long canal. - A few light brown spots in the large blank margins. Good impression.

Hartmann, Albert (Michelstadt 1868 - 1928). Silvester 02. Germany, 1901. Charming etched New Year's card on Chine collé, showing a girl with a basket and apples in her hands standing next to the apple tree, a village (Michelstadt?) in the back-ground, signed in the plate A. Hartmann Silvester 02, on verso in contemporary pencil, A. Hartmann - Michelstadt. Ca. 19,1 x 7,6 cm. (# 5804)

Thieme-Becker XVI, 75-76. Albert Hartmann, painter and etcher, born in Michelstadt in Odenwald, studied and worked in München, later in Franckfurt a.M, and was from 1901 Prof. at the Techn. Hochschule in Darmstadt. - Pasted as issued on the original cardboard leaf. Light stain to the cardboard, not affecting etching.

Hoermann von und zu Guttenberg, Christoph Friedrich (18th century). Standing man looking to the left, with knapsack, basket and staff. (Germany, probably Augsburg), 23 Mai 1734. Engraving, at right below image signed in the plate, "CFH fec", probably after Abraham Bloemaert. 18,2 x 10,7 cm. (# 2238)

Not in Nagler Monogrammisten. Not much is known about Hoermann von Guttenberg, according to Thieme-Becker XVII, 219, he was probably born in Kaufbeuren (Schwaben) and was active as a painter and engraver in Augsburg (two dated engravings Augsburg 1746 and 1755 are known) and ca. 1760 in Ulm. He was the son-in-law of the publisher M. Engelbrecht. - Some brown spots; bright impression with ample margins. As not much is known about the engraver, the contemporary handwritten date: "23 Maij 1734" and the name "Hörman" in the blank lower margin of our print provide very interesting additional biographical information.

Jungwierth, Franz Xaver (1720-München-1790). Himmelfahrt Mariä (Assumption of Mary), after Johann Nepomuk von Schöpf/Schoepf. München, c. 1750-1755. Very large engraving of the Assumption of the Virgin; below figures around the tomb, above the Virgin among clouds, surrounded by angels. Dedicatee's arms in centre of bottom margin, with 5 lines of engraved Latin text "Reverendissimo ... Domino Dno. Coelestino II ... Monasterii ad D. Gallum Abbati ... Ioan. Nep. de Schöpf inventor et Pictor. Jungwierth Sc. Monachij". 46,3 x 23,7 cm. (# 5869)

Nagler XVII, 483. Thieme-Becker XXX, 235. Not in Le Blanc. Rather rare. Johann Nepomuk Schoepf was born c. 1735 in Prag, became 1765 Kurfürstlicher Hofmaler in München and 1770 member of the Münchner Akademie, he died after 1785. c. 1750-1755 he painted for the High Altar of the Church in Fürstenfeld-Bruck in Oberbayern/Bavaria: the Assumption of Mary; after which Franz Xaver Jungwierth/Jungwirth made the present engraving. - Trimmed to plate-mark; some small tears, all but one neatly repaired.

Kirchner, Albert Emil (Leipzig 1813-München 1885). Abend-Landschaft. Paysage au soleil couchant. München, H. Kohler, 1839. Large oblong lithograph with a yellow tone plate, of a landscape with river, in front a woman with child, to the left ruins of a castle, in the background a village on a hill and mountains. Signed in the plate "AEK 1839", lettered underneath with title in German and French (see above) and "Comp. u. auf Stein gez. v. Emil Kirchner" and "Zu finden bei H. Kohler et Comp. in München". 25,3 x 37 cm. (# 5912)

Thieme-Becker XX, 358: "Für Kohler's Münchener Album lithographierte er eine Abendlandschaft". Nagler, Monogrammisten No. 1504. Original lithograph, state before the address of Piloty and Löhle. - Large margins.

Krauskopf, Wilhelm (Zerbst 1847-Ilmenau 1921). Wilde Jagd (the wild hunt), after Rudolf Friedrich August Henneberg. c. 1890. Fine etching on chine-collé, showing a wild hunting scene with numerous hunters on horseback, dogs, a deer, signed in pencil underneath "W. Krauskopf". 16,9 x 32,5 cm. (# 5835)

Wilhelm Krauskopf, professor, engraver and etcher, lived in München in the ninetees of the 19th century (see: Thieme-Becker XXI, 470). Rudolf Henneberg (Braunschweig 1825-Braunschweig 1876) painted several paintings of horsemen and huntsmen. His painting "Wilde Jagd" is in the Schack-Galerie in München. - With pencil presentation inscription by Krauskopf "Herrn Prof. Defregger in grosser Verehrung". With very large margins.

Lepautre, Jean. Portails d'Eglise à Italienne inventés par J. le Pautre. (No place, no publisher, no date). Complete series of very fine engraved title and 5 plates, showing church façades in the Italian manner, with scales of measurements. ca. 23,3 x 14,7 cm on leaves of ca. 30,5 x 19,4 cm. (# 4470)

Not in Fuhring, I.F.F., or any of the other usual bibliographies (kind information of Dr Peter Fuhring). Unrecorded edition. An unknown engraver copied the plates in reverse from the original series, which was invented and etched by Jean Lepautre (first edition Paris, ca. 1670). In the original series five of the plates are divided into a left-hand and right-hand side, showing variants of the proposed façades. In the present series the façades are symmetric, so left-hand and right-hand side are the same. Also different from the original series is the fact that in our series all the façades are placed against a sky. For the original series compare I.F.F. XVII, 12, Nos. 2120, 2122 - 2125. Beautiful designs for baroque church façades in two stories, adorned with statues, balustrades, 3 plates with domes above the crossing. Invented by the famous French architect and ornament designer Jean Lepautre (Paris 1618 - 1682). - Ownership entry on title "Joannij Veit Soc. Jesu". Thieme-Becker XXXIV, 181 mentions the Jesuit Johann Veit (Ellwangen 1663 - München 1732), who worked in Eichstätt, as the designer and maker of the pulpit and confessional chairs in the Jesuit Church in Eichstätt, and the prie-chairs in Neuburg. Mainly marginal waterstain to 4 plates, slightly browned and thumbed.

Lütgendorff-Leinburg, Leo (1856-1937). Albertus Magnus. Fine aquarelle on paper, showing Albertus Magnus reading at his writing desk in a monastic library. ca. 28 x 21,2 cm. (# 5806)

Thieme-Becker XXIII, 451. Old attribution. (Willibald) Leo Freiherr von Lütgendorff - Leinburg (Augsburg 1856 - Weimar 1937) was a history- and genre-painter, and art historian. He studied art in München and Wien, made ceiling paintings for the Theatre in Pressburg (now Bratislava), and worked from 1901 in Lübeck, also as director of the Dom-Museum. The great medieval theologian Albertus Magnus was born in Lauingen ca. 1200, he died in Cologne 1280.

Meyer-Kassel, Hans (Kassel 1872-Genoa USA 1952). Sailing ship docked at the harbor quay, seen from the bow, with all sails set. At the background to the right other sailing ships, to the left a town. (Probably Germany, before 1921). Etching showing a fine nautical scene, at the bottom signed in the plate "H. Meyer-Cassel". 21,5 x 12 cm (plate mark). (# 5837)

Hans Meyer-Cassel (later signed Meyer-Kassel) was such an outstanding artist that his native city acclaimed him by having Kassel added to his name. He enjoyed also success and honours in the U.S.A. and is known as "Nevada artist". From 1892, he studied and worked for 12 years (with some interruptions) in München, then in Kassel. In 1921 he immigrated to the U.S.A., had for ten years a studio in New York city, came to Pasadena, California, in 1935, and went to Nevada in 1937; in Nevada he lived in Reno, Carson City and later in Genua where he died. See: Thieme-Becker XXIV 482-483 and Vollmer, III 383. - A few light brown spots in the very large blank margins. Good impression.

Neureuther, Eugen (München 1806 - 1882). Christmas tree decorated by ten members of the Münchner Radirklub (Munich Etching-club). München, 1843. Fine etching on Chine collé, showing the artists Eugen Neureuther himself, E. Kirchner, J. Hueber, F. Foltz, J.A. Klein, H. Dyck, M. Zimerman, C. Heinzman, W. Gaib, and Chr. Morgenstern, growing out of flower-buds, decorating a christmas tree; on top of the tree, a sign inscribed "Radirungen von..."; next to the stem of the tree, a model of the Frauenkirche (cathedral) in München and a book inscribed "erstes, zweites Heft - ausgezeichnet schön". Signed with artist's monogram and dated on plate; each name lettered next to the portrait of the individual artists depicted. 13,8 x 17,8 cm. (# 2242)

Nagler, Monogrammisten II, 635 No. 12. In database British Museum. Title sheet for a portfolio of etchings by a variety of German artists of 1843, for the 'Radirungen des Münchner Radirklubs, München 1844'. - Good impression on Chine collé.

Neureuther, Eugen (München 1806 - 1882). Christmas tree decorated by ten members of the Münchner Radirklub (Munich Etching-club). München, 1843. Fine etching on heavy paper, showing the artists Eugen Neureuther himself, E. Kirchner, J. Hueber, F. Foltz, J.A. Klein, H. Dyck, M. Zimerman, C. Heinzman, W. Gaib, and Chr. Morgenstern, growing out of flower-buds, decorating a christmas tree; on top of the tree, a sign inscribed "Radirungen von..."; next to the stem of the tree, a model of the Frauenkirche (cathedral) in München and a book inscribed "erstes, zweites Heft - ausgezeichnet schön". Signed with artist's monogram and dated on plate; each name lettered next to the portrait of the individual artists depicted. 14,7 x 18,4 cm (plate-mark). (# 2240)

Nagler, Monogrammisten II, 635 No. 12. In database British Museum (copy on Chine collé). Title sheet for a portfolio of etchings by a variety of German artists of 1843, for the 'Radirungen des Münchner Radirklubs, München 1844'. - Foxed. Good impression on heavy paper, with ample margins.

Neureuther, Eugen Napoleon (München 1806 - 1882). Des Pfarrers Tochter von Taubenhein. (No place, 1844). Fine etching illustrating in romantic style the second couplet of 5 lines of a ballad by Gottfried August Bürger. Folio. 36 x 24,5 cm. (# 5801)

Nagler XI, 312, No. 5. Gottfried August Bürger (1747 - 1794) published the ballad "Des Pfarrers Tochter von Taubenhein" in 1782, which inspired Neureuther to create this famous etching with the same title. - Mounted; tear repaired, affecting the print; margins cut short.

Schmidt, Matthias (Mannheim 1749-München 1823). Landscape with large trees, some rural buildings and two people; after Ferdinand Kobell. Oblong etching, at bottom signed in the plate "Ferdinand Kobell del. 1776. Mathias Schmidt fec." 17,7 x 16,2 cm. (# 5873)

Nagler XVII, 338. The etcher and lithographer Matthias Schmidt was a pupil of Ferdinand Kobell, he became director of the Kupferstich-Kabinett in München. Ferdinand Kobell (Mannheim 1740-München 1799), painter and etcher, moved 1793 to München when the French armies came. - Good impression on strong paper, with margins.

Strixner, Nepomuk (Altötting 1782-München 1855). Dorfstrasse, after Anthonie Waterloo (Lille 1609-Utrecht 1678). München, J. Stuntz, 1811-1816. Oblong chalk lithograph of a street in a village. Lettered below "A. Waterloo" and "N. Strixner del.". 22,2 x 34,6 cm. (# 5899)

Winkler No. 965, 68.5. Dussler, (München II), p. 158, No. LXVIII,5. Incunable of lithography. "Dorfstrasse. Sie geht von der Mitte etwas nach links, wo sie durch Balken versperrt ist. Rechts ein zerstörtes Haus, von dem noch der Kamin steht. Ein Fachwerkhaus und hinter Bäumen drei weitere sind noch gedeckt. Vorn links Abfälle, dahinter Weidenbaum" (Winkler). Johann Nepomuk Strixner was lithographer in München. Anthonie Waterloo, draughtsman, painter and etcher, born in Lille, lived in Amsterdam, Leeuwarden, Maarssen and retired to an almshouse in Utrecht. From: "Chr. von Mannlich. Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière." Published under the direction of Strixner, Ferdinand Piloty & Cie, by J. Stuntz in München, 1811-1816. Issued in 72 parts each of 6 sheets. - Ample margins.

Strixner, Nepomuk (Altötting 1782-München 1855). Hirten mit Kamel- und Rinderherde; after a drawing by Abraham van Diepenbeeck ('s-Hertogenbosch 1596-Antwerpen 1675). München, J. Stuntz, 1811-1816. Oblong chalk lithograph, showing shepherds with sheep, goats, a dog, cows, men on horseback, camels, a woman on a camel; in the distance mountains and a town. Lettered below in the plate "DB 1664" and in lower margin "A: Dieppenbeck." and "N: Strixner del:". 22,2 x 27 cm. (# 5904)

Winkler No. 965, 63.5. Dussler, (München II), No.LXIII,5. Nagler, Monogrammisten, II, No. 959. Incunable of lithography. Johann Nepomuk Strixner was lithographer in München. Abraham van Diepenbeeck, a pupil of Rubens, was a designer of stained glass and painter; he is known for many hundreds of drawings, prints, and illustrations for books. "Vieherden und Hirten. Diese von rechts, einer den breiten Rücken uns zugewandt, die Hand nach links ausgestreckt, der andere nachdenklich rechts von ihm, Gesicht dreiviertel nach rechts. Links Schafe, Ziegen, Hund, Rinder, Männer auf Pferden, Kamele, ganz rechts Frau auf einem Kamel. Links in der Ferne Ebene Stadt und Berge" (Winkler). From: "Chr. von Mannlich. Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière." Published under the direction of Strixner, Ferdinand Piloty & Cie, by J. Stuntz in München, 1811-1816. Issued in 72 parts each of 6 sheets. - Ample margins.

Strixner, Nepomuk (Altötting 1782-München 1855). Hl. Katharina; after Bernardino Luini (Luini/Lago Maggiore 1480/85-Milano before 1532). München, 1817. Large chalk and pen lithograph printed with light yellow tone plate; showing St. Catherine of Alexandria, half-length, holding a palm leaf in her right hand, her left hand pointing upwards; the spiked wheel in the bottom right corner, a town and landscape in the distance. Lettered in lower margin "Luini pinx:" and "N. Strixner del:" 48,5 x 36,3 cm. (# 5903)

Winkler No. 831, 56. Dussler, (München IV), p. 168, No. 29. In database British Museum. Incunable of lithography. Johann Nepomuk Strixner was lithographer in München. Saint Catherine of Alexandria (female saint/martyr, early 4th c.) is venerated as Christian saint and virgin martyr, patron of education and learning; mystically 'married' to Christ. Said to have been executed by the Roman emperor Maxentius. Her attribute is a (broken) wheel, representing the first attempt to kill her when the wheel to which she had been tied was struck by a thunderbolt and destroyed. She was subsequently beheaded. From: "Chr. von Mannlich. Königlich Bayerischer Gemäldesaal zu München und Schleissheim". Published under the direction of Strixner, Ferdinand Piloty & Cie, 1817 ff. With 200 lithographs (the first 112 published until 1821, as incunables of lithography). - Ample margins.

Strixner, Nepomuk (Altötting 1782-München 1855). Judith mit dem Haupt des Holofernes; after a drawing by Andrea Mantegna (Isola di Carturo c. 1431-Mantua 1506). München, J. Stuntz, 1811-1816. Large chalk and pen lithograph printed in grey ink, showing Judith with her maid, putting the head of Holofernes in a sack, lettered below in the plate "A. Mantegna" and "N. Strixner del.". 42,5 x 30,7 cm. (# 5902)

Winkler No. 965, 24,6. Dussler, (München II), p. 144, No. XXIV,6. Weigel No. 4554. In database British Museum. Incunable of lithography. "Judith versenkt das Haupt des Holofernes in einen Beutel, den eine links stehende Bediente hinhält. Sie selbst ist von rückwärts gesehen, hält mit der linken Hand das Haupt, die rechte das Schwert. Gesicht im Profil nach links und unten" (Winkler). Johann Nepomuk Strixner was lithographer in München. From: "Chr. von Mannlich. Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière." Published under the direction of Strixner, Ferdinand Piloty & Cie, by J. Stuntz in München, 1811-1816. Issued in 72 parts each of 6 sheets. - Ample margins, a few light spots.

Strixner, Nepomuk (Altötting 1782-München 1855). Junger Lebemann (l'enfant prodigue), after Angelo Bronzino (Florence 1503-Florence 1572). München, J. Stuntz, 1811-1816. Oblong chalk and pen lithograph printed in brown ink, with heightening in white, showing two lovers and two servants. Lettered below within image "N. Strixner del:" and "Angelo Bronzino". 25,4 x 27,5 cm. (# 5901)

Winkler No. 965, 12,3. Dussler, (München II), p. 139, No. XII,3. Incunable of lithography. "Das Mädchen sitzt, wenig bekleidet, vorn nach links, und gibt eine Geldtasche einer alten Beschliesserin ganz links; rechts der junge Mann, Mitte hinten eine Dienerin" (Winkler). Johann Nepomuk Strixner was lithographer in München. Angelo Bronzino was a famous 16th century Italian painter. From: "Chr. von Mannlich. Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière." Published under the direction of Strixner, Ferdinand Piloty & Cie, by J. Stuntz in München, 1811-1816. Issued in 72 parts each of 6 sheets. - Ample margins.

Vautier, Otto (Düsseldorf 1863-Genève 1919). Half nude standing woman and sitting man in a bedroom. Before 1905. Watercolour on thick paper. The woman leans against a bed, the man is sitting in front of a window, underneath in pencil "No. 3". At the reverse side a drawing in black chalk, showing several figures, at bottom name "Otto Vautier". 25,5 x 33,3 cm. (# 5843)

Otto Vautier worked first in Germany in München, Dachau, and Überlingen, from 1890-92 in Paris, and then in Switzerland, first in Wallis and from 1906 in Genève. He is especially known for his fine paintings and drawings of women. See on him Thieme-Becker XXXIV, 142-143. - On verso collector's stamp of Victor Sieger (Wien 1843-Wien 1905), with number 522. Sieger worked as a painter in München, his collection was sold in München in 1905 (Lugt No. 2377).

Wit, Peter de (Candido) (Brugge ca. 1548 - München 1628), after. Dies (and) Nox. 1698. 2 very fine engravings showing personifications of Day and Night by Carl Gustav von Amling. Both ca. 28 x 16 cm. (# 2230)

Nagler XXIV, 481. Not in Fuhring. Von Amling (Nürnberg 1651 - München 1702) made these engravings after the famous gobelin tapestries in München, which were designed by Peter de Wit for Kurfürst Maximilian I, and which were woven by the Dutch Hans van d. Biest and other Dutchmen in the Hautelisse Manufaktur in München between 1604 - 1615. - Bright impressions with small margins. Pasted next to each other.

Wit, Peter de (Candido) (Brugge ca. 1548 - München 1628), after. Hiems, Ver, Aestas. 1698 - 1700. 3 very fine engravings (of 4, without autumn) showing personifications of winter, spring and summer by Carl Gustav von Amling. ca. 285-295 x 163 mm. (# 5464)

Thieme-Becker V, 493-494 no. 23b. Nagler XXIV, 481. Not in Fuhring. Von Amling (Nürnberg 1651 - München 1702) made these engravings after the famous gobelin tapestries in München, which were designed by Peter de Wit for Kurfürst Maximilian I, and which were woven by the Dutch Hans van d. Biest and other Dutchmen in the Hautelisse Manufaktur in München between 1604 - 1615. - Good impressions with very large margins. Slightly foxed, Aestas foxed.

Woelfle, Johann (Endersbach 1807-Faurndau 1893). Rückkehr von einem Viehmarkte. Retour d'un marché au bétail. After Heinrich Marr (Hamburg 1807-München 1871). (München, c. 1840). Fine oblong lithograph on white paper; a cattle market in Oberbayern, in the foreground a dog and a rich peasant on horseback, a sheep hanging from his saddle; to the right peasants in folklore costumes trading horses; in the background the Bavarian alps and the roofs of a village; lettered at bottom with title in German and French (see above) and with producers names "Gemalt v. Marr", "Gedr. v. Th. Kammerer", "Bei H. Kohler auf Stein gez. v. J. Woelfle". 29,4 x 33,5 cm. (# 5895)

Nagler XXIV, 521 No. 64. Slg. Mailinger, II, No. 2486. For Heinrich Kohler's (Stuttgart 1808-München 1885) "Sammlung der vorzüglichsten Werke neuerer deutscher Meister aus allen Fächern der Kunst in lith. Abb.". - Mounted, ample margins, light stain in blank lower right margin.